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Soweto: Home to a Movement
By monet cooper

 

The Oprah South African Leadership Project provides cross-cultural immersion and international exposure through travel and study in South Africa for Morehouse College students. In the future, it will involve an exchange of students between Morehouse and South Africa, and will encompass ethical leadership training and community service in both Atlanta and South Africa.

May 27, 2005

To tour Soweto is to study the best and worst of the human condition.

It is Nelson Mandela’s former abode, a humble structure a few blocks away from that of former Archbishop Desmond Tutu, and the large manse of Winnie Mandela, who is an outcast in the community where she once walked with anti-apartheid activists.

It is the neighborhood with small, manicured lawns and houses designed with clean lines and elaborate fences. It is the shacks that lack a sewer system, running water and electricity—a multitude of them that stretch for as far as the eye can see, down the hill, past the power lines, through the brush, up the hill.

It is the open space littered with traces of humanity: the gas stations, the concrete medians, goats for sell alongside a makeshift auto shop, alongside the places named after civil rights leaders, both alive and dead.

It is the last remaining vestiges of oppression: the two widening concrete stacks that look more like nuclear generators than the electrical generators they once were. Built during apartheid, they supplied power to the white suburbs miles and miles away, not Soweto. Some say the electrical current was harming people. When apartheid ended, the power station closed. Now painted with a rainbow of colors, they look less threatening, but the memory of what they meant still remains.

Soweto, an acronym for Southern Western Townships, contains 34 townships and is the largest of South Africa 's townships. With a population of four to five million people, most of them black and most of them unemployed, Soweto is evidence of the transition South Africa has made and how far the country must still come.

Molefi Mataboge, the logistics coordinator for the Morehouse College and Butler University trip, was born and raised in Soweto. Combining history with many of his own accounts, he drives through Soweto talking about each space—trash filled or beautified—as if it held a thousand stories.

As the group arrives at a dilapidated area where black miners once lived, and where destitute men now carve a life, Mataboge talks about how the security police played blacks against each other. He said that when The New York Times ran a story about black-on-black violence, he demanded to talk to the reporter and get a retraction.

"There was no black-on-black violence," said Mataboge, who was an anti-apartheid activist. "The security police would kill two men, each from a different township, and place the body from one township into the other and tell that township that the other township killed the man, which put them at odds with each other."

It was not until the TRC hearings that many people discovered that the police was behind much of the strife between townships.

In 1905, the first houses went up in Soweto. The black areas were called townships, the white areas suburbs. The government even made separate roads for the races to use—whites on one; blacks on another.

"We used to joke that all the [apartheid] laws were made in a bar because of the way some of the laws were made," said Mataboge. "We couldn't build a house more than a story high. Then there was the one where you could be detained for 40 days without a trial. People were arrested on charges and they'd call their lawyer and the lawyer would say, 'Oh, they made that law yesterday.'"

As an activist, Mataboge became heavily involved in the movement during the '80s. He said during that time, he rarely slept at home for fear it could bring harm to his family members. Rooftops, the streets and anywhere else that seemed safe to lay his head became his home. For a year, he only got three hours of sleep a day, said Mataboge.

As the group rides past the only golf course in Soweto, the school where “Sarafina” was filmed, and stops at the Hector Pieterson Museum, built in memory of the first person to die in the Soweto school children's protest, the van becomes quiet, interrupted only by the occasional click of a few cameras.

The group exits the van and steps into the museum, where television monitors flash news reports and interviews with government officials and young blacks.

But the written words the youth sang as they marched toward police or chanted among themselves are perhaps the most powerful: "Senzeni na? Isono sethu bubmnyama lamabhulu azizinja," meaning, "What have we done? Our crime is our blackness. These white rulers are dogs."

 

 

For more information on the Morehouse College Leadership Center, click here.(pdf)

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